
Don't miss the free download ("Dreamin' of You") at bobdylan.com

I'm still thinking about the evil-in-the-movies concept I brought up a few posts ago (The Dark Knight). At the risk of implying a tidiness that I don't think exists...

I'd like to dedicate this song to Joel Osteen and his new best-seller. Also, don't forget to check out The Arcade Fire . They are Canadian...and quite good.
There was a moment at the end of The Devil Wears Prada when I felt as though the whole movie might have been redeemed. The movie is about the allure of power...success...and, I suppose fashion fits in as well. The young novice character (Anne Hathaway) gets a job working for a super-influential clothing designer. Guess what? Our novice knows nothing about clothes, nor does she give a rat's patootie for fashion. Guess what else? By the end of the movie her rags turn to riches (cliches seem appropriate here) and she becomes one of "them"... By "them", you know what I mean...those rich folks in the high rises, snooty, consumed with their jobs and absolutely nothing else. (To be fair at this point, I should point out that Meryl Streep does a good job with her character.) The good guys are Hathaway's friends at the bar, the bad guys are the ones making money. So, our rookie fashion character is slowly pulled to the dark side...and, there's this scene where Meryl Streep and Anne Hathaway are in the car together and Meryl Streep tells her devoted protege that they are quite similar...they're made out of the same material, if you will. It's at this moment that I thought the movie was coming together. If the last 1.5 hours of light-hearted display of transformation into a snooty fashion figure were for a purpose...and, if this purpose was to show how easy it is to be sucked into a vice....then, we were on to something good. What if Meryl Streep had used her cunning to trap Anne Hathaway into a situation she really could not get out of? What if Anne Hathaway at this moment discovered that she did love her career and her power and her new wardrobe more than everything else in the world...and she decided to continue down this road?
Well, Anne Hathaway gets out of the car, tosses her cell phone in the fountain, and gets a regular job of her dreams. ...There are basically no repercussions to her actions over the course of the movie. She gets what she wants and all is good in the world. In my mind this ruins what was shaping up to be merely an average movie anyway. How bad is a situation that has no repercussions? I mean, really, are we concerned at all about realism if you can screw your friends and your family, work yourself to death and then pause and go back to normal. If the non-repercussion part of the movie is real, then, the rest of the movie that portrays Anne Hathaway as heading for trouble is a lie. I don't see how both can be true.
If you want to hear some good music, you can hear Romantica's latest album here:
http://www.romanticamusic.com/music.html
I give it an A+.




Here's a tip: If you're looking for something to do on a Friday night don't rent Wild Hogs. Similarly, I would recommend never renting Wild Hogs. It has the humor of a straight-to-video Disney sequal mixed with PG-13 sexual induendos...and, you get a couple butt shots thrown in for free. It's the first movie I've turned off halfway through and returned since the Steve Martin remake of The Pink Panther.
"Like the downward pull of gravity without which the dancer cannot dance, the downward pull of bodily necessity and fate makes possible the dignified journey of a truly human life."
- Leon Kass
But he said to me, "My grace is sufficient for you, for my power is made perfect in weakness." Therefore I will boast all the more gladly of my weaknesses, so that the power of Christ may rest upon me. For the sake of Christ, then, I am content with weaknesses, insults, hardships, persecutions, and calamities. For when I am weak, then I am strong."
- Apostle Paul (2 Cor. 12: 9-10)
John 11:5-44
Now Jesus loved Martha and her sister and Lazarus. So, when he heard that Lazarus was ill, he stayed two days longer in the place where he was. Then after this he said to the disciples, "Let us go to Judea again." The disciples said to him, "Rabbi, the Jews were just now seeking to stone you, and are you going there again?" Jesus answered, "Are there not twelve hours in the day? If anyone walks in the day, he does not stumble, because he sees the light of this world. But if anyone walks in the night, he stumbles, because the light is not in him." After saying these things, he said to them, "Our friend Lazarus has fallen asleep, but I go to awaken him." The disciples said to him, "Lord, if he has fallen asleep, he will recover." Now Jesus had spoken of his death, but they thought that he meant taking rest in sleep. Then Jesus told them plainly, "Lazarus has died, and for your sake I am glad that I was not there, so that you may believe. But let us go to him." So Thomas, called the Twin, said to his fellow disciples, "Let us also go, that we may die with him."
Now when Jesus came, he found that Lazarus had already been in the tomb four days. Bethany was near Jerusalem, about two miles off, and many of the Jews had come to Martha and Mary to console them concerning their brother. So when Martha heard that Jesus was coming, she went and met him, but Mary remained seated in the house. Martha said to Jesus, "Lord, if you had been here, my brother would not have died. But even now I know that whatever you ask from God, God will give you." Jesus said to her, "Your brother will rise again." Martha said to him, "I know that he will rise again in the resurrection on the last day." Jesus said to her, "I am the resurrection and the life. Whoever believes in me, though he die, yet shall he live, and everyone who lives and believes in me shall never die. Do you believe this?" She said to him, "Yes, Lord; I believe that you are the Christ, the Son of God, who is coming into the world."
When she had said this, she went and called her sister Mary, saying in private, "The Teacher is here and is calling for you." And when she heard it, she rose quickly and went to him. Now Jesus had not yet come into the village, but was still in the place where Martha had met him. When the Jews who were with her in the house, consoling her, saw Mary rise quickly and go out, they followed her, supposing that she was going to the tomb to weep there. Now when Mary came to where Jesus was and saw him, she fell at his feet, saying to him, "Lord, if you had been here, my brother would not have died." When Jesus saw her weeping, and the Jews who had come with her also weeping, he was deeply moved in his spirit and greatly troubled. And he said, "Where have you laid him?" They said to him, "Lord, come and see." Jesus wept. So the Jews said, "See how he loved him!" But some of them said, "Could not he who opened the eyes of the blind man also have kept this man from dying?"
Then Jesus, deeply moved again, came to the tomb. It was a cave, and a stone lay against it. Jesus said, "Take away the stone." Martha, the sister of the dead man, said to him, "Lord, by this time there will be an odor, for he has been dead four days." Jesus said to her, "Did I not tell you that if you believed you would see the glory of God?" So they took away the stone. And Jesus lifted up his eyes and said, "Father, I thank you that you have heard me. I knew that you always hear me, but I said this on account of the people standing around, that they may believe that you sent me." When he had said these things, he cried out with a loud voice, "Lazarus, come out." The man who had died came out, his hands and feet bound with linen strips, and his face wrapped with a cloth. Jesus said to them, "Unbind him, and let him go."
There's a line at the beginning of the movie AI where William Hurt says: "...in the beginning, didn't God create Adam to love him?" The scene opens a movie that examines what makes a person human...and perhaps more profoundly, what do we look for in other humans? ...what expectations do we have of others? ...what do we need from others? ...can a robot fill this gap?
Keepon has a microphone in "his" nose, two cameras for eyes, and his yellow rubber skin. He makes his own decisions as to his dance moves. He can be set up to dance according to the sound of the music or the movement of other people dancing. Perhaps this is a step closer to the questions of AI and the sci-fi world of the transhumanists? 



