I briefly read through the Akira Kurosawa Interviews tonight (edited by Bert Cardullo). Here were some of my favorite parts.
1963 - "Nothing could be more difficult for me than to define my own style. I simply make a picture as I wish it to be or as nearly as it is within my power to do so. I have never thought of defining my style. If I tried such a thing, I would be caught within my own trap." (25)
1966 - "There are so many things which portray violence and so many films show this. Somehow, I feel tired of it. It is easy to be happy. If it is necessary to show violence in a film, it is good to avoid ugliness...There are already too many films that show sex. I do not want my films to be another vehicle for it. Besides, I do not think it should be a purpose for entertainment. Children would not be able to understand it; it will only complicate their minds, and they will not be entertained." (32)
1975 - "Where films are concerned, if you set out to convey some special message or thesis you will become narrow and rigid. I think it is true for any other creative work as well." (58)
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1980 - "...there's a tradition in Western films that deal with cavalry battles, whereby one almost invariably fires to hit the rider. In terms of real battle strategy, however, this is entirely unrealistic because the horse is a much bigger target and if you wanted to disable the whole cavalry, you'd get rid of the horses first. But nobody has ever made a film that way. The convention is to shoot the rider and see him fall off and the response to the film comes from that. I felt that this tradition has already worn out and wanted to try something different, more effective, for the sophisticated film audiences of today--to show the final effect of the battle rather than those shootings themselves. Besides, when you have a stuntman on a horse who knows he's going to be shot, this is apparent in his whole physical attitude. The audience also knows it's going to happen, so why show them what they already know?" (72-73)
1986 - "Ideally, a film should be spherical. This is physically impossible; however, it is possible to approach such a shape. A film should appeal to sophisticated, profound-thinking people, while at the same time entertaining simplistic people. Even if a small circle of people enjoy a film, it will not do. A film should satisfy a wide range of people, all the people." (141)
1986 - "CINEASTE: Once you said that the most important thing for young people aspiring to become directors was to read world classics. Do you still believe so?
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KUROSAWA: Definitely. To read everything is almost impossible, so you must find writers that you like. Then, to find favorite works of these writers, and read them again and again. Therefore, your understanding of the characters in these works is deepened. One's level of understanding after reading a work once, and after reading it ten times, is naturally different." (143)
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...if I ever complain about not having any free time, feel free to slap me.
